Greetings<br><br>I've read with interest the discussions engendered by HL Gerald of Leesville's original post and applaud him for reawakening the exchange of ideas on the list. <br><br>It is my privilege to serve you as the Kingdom Minister's of Arts and Sciences Deputy for Bardic & Performing Arts. Some time ago (May 1, 2006, to be exact) I posted the following to the list:
<br><br><div style="margin-left: 40px;">The mission of the <span id="st" name="st" class="st">DMoAS</span> for Bardic and Performance is to encourage
bardic and performance art. That mission is shared with the
Kingdom Bard, should she or he accept it -- indeed, it is shared with
every bard (especially titled bards) and performer in Ansteorra -- the
difference being that the <span id="st" name="st" class="st">DMoAS</span> is accountable and should be intentional.<br></div>
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Accordingly it is the duty and responsibility of the person holding the
office to seek out ways to improve bardic and performance art within
the kingdom. Again, I suggest that is a role we all share, the
difference being that of accountability and intentionality.<br><br>
In my case, as a laurel I also have the ability to act as your voice
among those who are entrusted with kingdom and interkingdom
competitions and who strive for some uniformity and predictability in
judging competitions. <br><br>
As you no doubt notice, these are fairly global and general
responsibilities and duties. Neither Mistress Gwyneth nor I
consider this a "from above" office. We do not
deem it appropriate to take over someone else's project(s) even when asked.
Projects ebb and flow and come and go. Some have terrific merit, other less. We believe the kingdom and
the projects themselves are best served when those who have a passion
for them stay in charge. Their authors are also probably the better
people to find successors. <br></div>
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There is more to the post and I invite those interested to look to the archives. <br><br>Since that time, I have hosted a Bardic Round Table at King's College, worked with my fellow laurels and bards in reevaluating our upper level competition judging criteria, and judged several competitions -- with and without judging forms.
<br><br>I offer the foregoing simply for context and because Sam Hill wanted to know what I *do* :)<br><br>My experience with and observation of kingdom wide organizations does not recommend the establishment of an organization of Ansteorran Bards. Nothing I have read to date challenges those experiences and observations.
<br><br>There are many reasons why these organizations fall short of the high expectations and good intentions of their supporters: politics, lack of support, the organization becoming more important than its vision, lack of shared vision, real life, to name only a few.
<br><br>Nor have I observed these organizations as being more adept at planning or running an event. That is much more a function of the stewards, their coordinators, and local support. <br><br>So, without such organization, what might we do to encourage and strengthen our performing arts?
<br><br>1) Frankly, I found the Bardic Round Table stimulating and valuable. I recommend that we hold one at each and every King's College, Kingdom A&S, Kingdom Eisteddfod (to that end, I offer to host a Round Table at K E this year to discuss matters of interest), Laurel's Prize Tourney, and any other collegia that includes matters of interest to the performing arts. There is certainly no reason why regions cannot hold their own Round Tables to support and strengthen the performing arts in their areas.
<br><br>2) I encourage titled bards to take a more active role in encouraging and strengthening the performing arts for the group whose title they hold. That may take the form of monthly gatherings where the title is fairly local, or quarterly where travel is necessary. I've always felt that one should not hold titles for more groups than that person is willing to serve. In most cases, that will be one at a time if one is going to do a good job.
<br><br>3) Get out there and perform! Wander as a minstrel; offer a tale to a pavilion. We have no right to a captive audience. Our job is to captivate audiences.<br><br>4) Wear a blue "whatever" with or without gold trim. Does it really matter whether it is a sash, a baldric, or a favor? I suggest blue because that tradition is still recognized by many and will be recognized by more the more it is seen.
<br><br>Finally, you are a performer when you perform -- not because you belong to an organization of performers. <br><br>In your service, <br><br>ihon vinson macFergus, OL<br>Deputy Minister of Arts & Sciences for Bardic the Performing Arts
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