<div>M'lady</div>
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<div>Disclaimer: I am new so I dont proclaim to have an angle on SCA related contest and performance. A majority of my opinions are mundanely influenced.</div>
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<div>I looked at the same article this morning. It seems very efficient. The article covers many potential problem areas such as forgetting performers names and/or performance pieces. I particularly liked the shuffling of the cards, yet making sure there is variety spread through out the bardic.</div>
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<div>As a wanna be.. period pieces scare me.. but I can see that they are necessary for what we do. However, I think its important to allow original work so that the performer can create art that represents him/herself. </div>
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<div>Bless</div>
<div>Sæmundr the pure<br><br></div>
<div class="gmail_quote">On Wed, Jun 11, 2008 at 9:46 AM, Genie Barrett <<a href="mailto:ladymaggie@justinanimator.com">ladymaggie@justinanimator.com</a>> wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">Hey all,<br><br>Found this and thought it had merit.<br><br><a href="http://sandradodd.com/ideas/artsci2.html" target="_blank">http://sandradodd.com/ideas/artsci2.html</a><br>
<br>What do you think? And, which formats for bardic competitions interest you all most?<br><br>Also, I'm curious, what are your feelings about competitions that require... period pieces, original pieces, different styles, written on demand pieces, etc.?<br>
<br>Maggie<br><br>_______________________________________________<br>Bards mailing list<br><a href="mailto:Bards@lists.ansteorra.org" target="_blank">Bards@lists.ansteorra.org</a><br><a href="http://lists.ansteorra.org/listinfo.cgi/bards-ansteorra.org" target="_blank">http://lists.ansteorra.org/listinfo.cgi/bards-ansteorra.org</a><br>
</blockquote></div><br><br clear="all"><br>-- <br>God is a scientist, not a magician - Albert Einstein<br><br>My life, my hobbies, and pictures at <a href="http://jimcouch.googlepages.com/">http://jimcouch.googlepages.com/</a>