[Bg-dance] KWDMS #2
star7fisher at aol.com
Sun Jun 24 04:46:08 PDT 2012
Thanks so much for sharing these. I lack good ones to share back.
King's college site had waxed the section we had planned for social area. So, the cafeteria now held gate, social area, and dance classroom. I don't think this was a problem for me and not much of one for Myfanwy, but the Persian dance teacher was extremely soft-spoken, and thought standing in the middle of us was best solution. I'm fairly certain that she regularly showed a don't-do-this move, but as she said it usually to otherside of circle, I'm not sure. Sigh.
Robin and Serena also presented their precedence of Ansteorra class. He presents it historically. I really enjoyed it because in some ways it helped bridge my years out of kingdom. I had not realized that we were first kingdom to create grant level orders. We had talked evening before (they crashed here) about how they want to put it on a PowerPoint slide show for the visual. I told them to then build it to a prezzi.com presentation, they will wow the folks who've never seen such and it can help communicate relationships.
After my second dance class, i went home and vegged out. Second you ask...because Hugh last week said, oh I just found out I'm going out of town Friday and asked me what to do. Double sigh. So I ended up with an 8:30 class. Julie also apparently cancelled hers too. I'm a bit disappointed.
Wish I was there with you. Of course if I was I would be sounding like a zombie about now, groaning with every step.
Jane "Star" Fisher
Sent from my iPad
On Jun 23, 2012, at 11:54 PM, Tim McDaniel <tmcd at panix.com> wrote:
> Walking into the hotel behind two fellows who were occasionally
> looking back at me. (They may have been involved in Saran Wrapping
> a car in the parking lot.) I get into the elevator with them and
> notice first that one man had sparkly earrings and then that the other
> had large carved wooden plugs in his earlobes.
> "Is that ... Wiccan?"
> "No, I was at a Renaissance dance symposium."
> "Oh, right, that was this weekend. -- Yeah, it looks like something we
> have for our Wiccan rituals."
> "Hm! This was standard clothing for several centuries."
> "Well, the Renaissance is old, Wicca is old ..."
> I went to ECD classes today in preference to an advanced Gresley class
> and an Amoroso variation class. One listed Parson's Farewell,
> Whirlygig, and Nonesuch (as in "where I already know all but one
> dance" from yesterday). I figure I can show up and do the first two,
> and at least learn Nonesuch. The Parson's Farewell set I was in had
> three people who knew it. I was the only one in the Whirlygig set who
> knew it, and it went about as you expect for new/moderate intermediate
> dancers. And then we didn't have time to even start Nonesuch. OK,
> it's gratifying to be a dance angel, but still, I could have learned
> more Gresley.
> The Whirlygig was a non-Ansteorran version. (One lady hissed in a "ha
> ha only serious" manner when I told her about doing both as right-hand
> stars.) The instructor taught the S hays as "the receiver starts the
> hey" -- as in, man 2 turns left and offers right to woman 1, woman 1
> is the receiver. It leads to extra turning and so I think it's not so
> Turns out they found a source that gives a crucial detail about
> Quadran Pavane (the first alman in the Old Measures): it's left,
> right, forward, LEFT, RIGHT, backwards. The other sources just said
> side, forward, side, back, and everyone assumed it was alternating L
> and R. Turns out one person, normally the least helpful, wrote a
> cheat sheet note on the back of a document and they specified it was
> left both times.
> The earliest alman source(s?) specify that the double ends with a hop.
> Later ones never do. Did hops go out of style or did they just figure
> that everyone knew that an alman double in England ended with a hop?
> The alman scholar (Trahearne, as seen on the SCA Dance mailing list)
> is not sure.
> Someone mentioned doing If All the World Were Paper when they had but
> 7 dancers. They alternated two positions during the choruses, because
> each half of the sets stands idle during half the chorus. In the
> verses, someone still has to dance with a ghost partner. It can work,
> but the person doing double duty has to do a LOT of dancing and
> running back and forth.
> I tried a few more solutions to the chafing. As I reflected on one at
> the end of the evening, I realized that I should not have be
> surprised, as many human problems can be solved by pulling up one's
> shorts and belting them firmly.
> Danel de Linccolne
> Tim McDaniel, tmcd at panix.com
> Bg-dance mailing list
> Bg-dance at lists.ansteorra.org
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