[Bordermarch] Tacky Wax
Lathrop, Dave
David.Lathrop at valero.com
Wed Jul 1 07:19:54 PDT 2009
AH yes, a pitch pot, I love the name unto thyself. I shall have to explore the possibilities of its use.
Our very own Lady Padraigin, current Coastal Minister of Arts & Science, has dabbled somewhat in the art of Reposse. She must surely know of pitch pots; alas--she remains yet silent. Perhaps she does not wish to share her knowledge. Methinks she might even have her own secret stash of Tacky Wax tucked away somewhere. As I ponder my Tacky Wax situation I've come to the realization that it's Lady Padraigin who supplies Barony Bordermarch's Brewer's Guild with honey for their mead! She claims to have an endless source of honey, and where there's honey, there's beeswax. Lady Padraigin the Stingy must be hoarding her beeswax for her pitch pots. You would think she could spare a bit so a man wouldn't have to stoop to using toilet bowl wax for his bowstrings.
Lady Alianorra, thank you so very much for freely sharing this information about pitch pots, and don't worry about HE Elisabeth, she knows I can only focus on one thing at a time.
HE Santiago
-----Original Message-----
From: Alianorra MacAiodh [mailto:alianorramacaiodh at yahoo.com]
Sent: Wednesday, July 01, 2009 8:14 AM
To: Lathrop, Dave
Cc: bordermarch at lists.ansteorra.org
Subject: RE: [Bordermarch] Tacky Wax
Your Excellency,
Just as a side note to any who might care, the formula you just described also works very well for pitch pots. The only additional ingredient needed is a little plater of paris to create the correct consistency. Pitch pots are great for reposse' work. Reposse' is a form of metal working that includes heating your metal then quenching it to aneel (sp) the metal and soften it. You then place it in your pitch pot and work in the design by tapping it out in the negative to make a positive impression in the metal. The pitch pot allows the metal to displace without cracking and holds your work in place.
I know how keen you are for new period projects and thought you would enjoy using some of your new found knowledge on another item as well.
Now I pray your Beautiful Lady wife does not twist my ear next I see her for giving you yet another project. I implore you to not mix the plaster of paris in her sink for both our sakes.
Till we meet again, I remain a servant to Bordermarch and your coconspiritor in all thing medievil and artsy.
Alianorra
Lathrop, Dave wrote:
> Greetings Bordermarch,
> I'm now hyper focused on making some Tacky Wax for my bowstring construction. I can purchase some for less than $4.00, but that would be far too simple.
> My formula for my tacky wax will be composed of pine rosin, beeswax, and mineral oil. I have already collected some hardened pine pitch to convert to rosin from my personal stock of pine trees. The pitch leaks from holes caused by the deadly pine beetles who have already decimated some of my trees.
> I walked around the property with a mason jar and knife, and scraped the hardened pitch into the jar from the side of the trees. Rosin is produced by cooking the pine pitch to remove the volatile liquid terpenes
> I do have a large cake of beeswax I use to treat some of my forged items, but it seems to be misplaced. After much searching in the local stores for some beeswax, I finally settled on a wax ring used to seal toilet bowls to the floor. The new ones are no longer pure beeswax, I think they are beeswax mixed with mineral oil.
> I shall liquefy the rosin by heating it in a pan then mix in some toilet bowl wax. Since the toilet wax already contains some mineral oil, I will not need to add any to my batch. When the wax has melted into the warmed rosin I shall let the whole mess cool in some paper cups. If I get the mixture just right, the resulting cakes of wax will have just the right tackiness I need for my projects. Since the rosin adds the tacky to the wax, I can adjust the mixture's consistency by reheating and adding more or less of the ingredients.
> This basic formula has been in use for centuries to make "Cobblers Wax". This wax was used to seal the lacing on bagpipes, in the construction of footwear, dubbing the feathers on hand-tied lures used for fly fishing, and sometimes called "stitching wax" by the leatherworkers.
> So little time---so much to do,
> HE Santiago
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