[Elfsea] Viola de Gamba Society of America

Tue May 8 18:26:56 PDT 2001

This is a multi-part message in MIME format.
--
Alright, I know you think that this would not interest me.
But these guys are good and they play pretty stuff.
And my cousin, Laurie, is one of the teachers.

yippee!!!

VdGSA 39th Annual Conclave

<http://vdgsa.org/pgs/conclave.html>

Crandall

p.s. If there is a music list that would be interested, please forward.
Thanks
--
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Announcing...

FRETS, FIDDLES, AND FROGS

39th ANNUAL CONCLAVE

(image)

July 22 through 29, 2001
Texas Christian University, Fort Worth, Texas

REGISTER NOW!

EMA announces summer workshop scholarships![1]
(Application deadline: April 15)

Faculty[2] | Programs[3] | Fees[4] | Classes[5] | Register[6]

Founded in 1873, TCU[7] is a private, non-sectarian university with a strong
performing arts program. The school was the first in the US to offer a BA in
ballet and hosts the yearly Van Cliburn Piano Competition. The 237-acre campus
is beautifully landscaped, with large spreading shade trees throughout. We
will be housed in Foster Hall, a fully air-conditioned, elevator-equipped dorm
which has been recently renovated. Besides kitchen and laundry facilities on
every floor, the dorm has two large lounges for socializing. The dorm is
located between the Student Center, where we will take our meals, and the
Music Department buildings, where classes and concerts will be held. Some dorm
rooms are arranged in pairs with connecting bath; others are non-connecting,
sharing semi-private bath facilities on the hall. On Wednesday, the first
afternoon class ends early and the fourth class is not held so that you may
explore the city. Shoppers will delight in the Outlet Square and Sundance
shopping district. Take a break by the Water Gardens. Enjoy the famous Fort
Worth Zoo, the Botanic Garden or a trip back in time to the 1800s at the Log
Cabin Village. Head to the Stockyards for a drink at the White Elephant
Saloon, some truly prime beef, and dancing, Texas style, at Billy Bob's.
Expansive Lone Star hospitality greets you wherever you go.

Schedule of events
Registration begins at noon on Sunday, July 22, in the lobby of Foster
Residence Hall. We will start our week of wonderful classes and concerts with
a mini-concert at 5 pm on Sunday. Our first meal is dinner that evening,
followed by orientation, a mass play-in and welcoming get-together. Classes
are Monday through Saturday, with mini-concerts scheduled for Tuesday and
Thursday afternoons. Evening activities include a concert by Second City
Musick (Monday), organized nightly consort playing, a banquet at Joe T.
Garcia's (Friday), and student performances (Saturday). Wednesday evening is
free for you to explore the city's amenities. The week ends with breakfast
Sunday morning, July 29.

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FACULTY

Julie Elhard Cathy Meints Laurie Rabut Janet Haas Ros Morley John Mark
Rozendaal Cora Harnish David Morris Mary Springfels Jane Hershey Patricia
Neely Richard Sutcliffe Carol Lewis Lyle Nordstrom Brent Wissick Larry Lipnik
Pat Nordstrom Harriet Woldt Robert Mealy Annalisa Pappano Martha Bishop, Music
Director Alice Renken, Kathy Schenley, & Jean Seiler, Conclave Managers
Suzanne Beaudry, Scholarship Coordinator Harriet Woldt, local host John
Pringle, viol doctor Linda Shortridge, bow rehairing Faculty bios:

Julie Elhard, viola da gamba, appears regularly as a soloist and chamber
musician, tours nationally with Cecilia's Circle, and is a member of the Lyra
Concert (St. Paul's baroque orchestra). She is a four-time guest artist of the
University of Minnesota Bach Festival, and has appeared with the St. Paul
Chamber Orchestra and at both the Utrecht and Copenhagen Early Music
Festivals. Ms. Elhard holds a B.A. from Concordia College, in Moorhead, MN and
a Performing Artist Certificate from the Royal Conservatory of Music in The
Hague, Netherlands. Ms. Elhard has studied with Anneke Pols, Wieland Kuijken,
Laurence Dreyfus, Brent Wissick and August Wenzinger. She currently teaches
viola da gamba at Carleton College in Northfield, MN and at MacPhail Center
for the Arts in Minneapolis. She is a founding member of Ensemble 392 and Trio
Atlantica, and was recently awarded a Jerome Foundation grant to study the
Medieval vielle and early viol repertoire with Margriet Tindemans.

Janet Haas is a Boston area performer on viola da gamba and violone. She has
studied with Laura Jeppesen and John Hsu. She performed regularly with La
Sonnerie (Boston), Oriana (New York), and the Benefit Street Chamber Players.
She has done guest performances with Boston Camerata and the Smithsonian
Consort. Janet is a popular coach for the Viola da Gamba Society of America,
locally and at national workshops. In real life, Janet teaches strings for the
Lexington Public Schools (MA) and conducts three orchestras. She has been a
guest conductor and clinician for the Massachusetts Music Educators
Association festivals and conferences and her orchestras have been selected to
perform at local and division Music Educators' National Conferences.

Cora Harnish holds a Master's degree from Indiana University's Early Music
Institute where she studied viola da gamba with Wendy Gillespie. Since
completing her degree she has gone on to teach and perform in Australia,
Taiwan and the US and, as a chamber player, has done numerous recordings as
well as radio broadcasts. In addition to teaching gamba and cello she also
enjoys training dogs and teaching yoga classes!

Jane Hershey studied at The Hague Conservatory with Wieland Kuyken, and at the
Longy School of Music with Gian Silbiger. On viola da gamba and violone, she
has performed with the Smithsonian Chamber Orchestra, Monadnock Music,
Emmanuel Music, Aston Magna and Musicians of the Old Post Road. Her trio
Charivary, a finalist in the 2000 Dorian/EMA recording competition, has performed
recently at Boston's Museum of Fine Arts, at Colby College, and for Seattle's
Early Music Guild. She has recent recordings with Koch and Dorian as a guest
with the Renaissance ensemble Hesperus. She teaches at the Powers Music
School, the Longy School of Music, and is the director of the Early Music
Ensemble at Tufts University.

Carol Lewis has performed and made many recordings with Capriccio Stravagante,
the Boston Camerata and Hesperion, among others. She has taught at New England
Conservatory and Amherst Early Music. An active soloist and member of Duo
Maresienne, she is also co-producer of the concert series "Music for Viols and
Friends" and "Early Music Afternoons" at the Somerville Museum.

Lawrence Lipnik performs regularly with many ensembles including Lionheart,
Anonymous 4, ARTEK, The New York Consort of Viols and Parthenia. In addition
to his performing, Mr. Lipnik has prepared an authoritative edition of
Francesco Cavalli's opera La Calisto, which was commissioned by the Juilliard
School and performed by the San Francisco Opera, served as music supervisor
for videos created by artist William Wegman, and as music consultant for the
Bill Cosby Show. He has recorded for EMI, Angel, Nimbus, Virgin, Sony,
Lyrichord and Discobi.

Robert Mealy (violin) has received much critical acclaim for his eloquent and
imaginative performances on a wide variety of historical strings: baroque
violin, renaissance violin, medieval vielle and harp, and most recently the
lira da braccio. Mr. Mealy has toured and recorded with many period ensembles
both in North America and Europe, including the Paris-based Les Arts
Florissants, the distinguished medieval ensemble Sequentia, and the Boston
Camerata, with whom he has served as concertmaster for a decade, recording
everything from the Carmina Burana to an award-winning production of Kurt
Weill. He regularly appears at early music festivals in Utrecht, Berkeley,
Regensburg, and Boston. As well as serving as music director for the Gotham
City Baroque Orchestra, Mr. Mealy is happy to be a member of several chamber
groups, including the French Baroque ensemble Louis Louis
(artists-in-residence this year at St. Paul's Chapel at Columbia), the
Renaissance violin band the King's Noyse, and the medieval ensemble Fortune's
Wheel. Mr. Mealy is non-resident tutor of music at Harvard, where he directs a
wonderful undergraduate baroque orchestra. He has recorded over 50 cds on EMI,
BMG, harmonia mundi usa, Erato, Nonesuch, Sony, New Albion, Lyrichord, and
others.

Catharina Meints' varied musical life includes performing and teaching viola
da gamba, baroque cello and modern cello all over the world. As a member of
the Oberlin Baroque Ensemble and the Oberlin Consort of Viols, she has made
many recordings on bass and treble viol, pardessus de viole and baroque cello.
She is a founding member of the Oberlin Baroque Performance Institute and
Associate Professor of viola da gamba, baroque cello and modern cello at the
Oberlin Conservatory of Music. She recently performed and taught at master
classes and summer courses in Italy, Austria and Czechoslovakia. She also
continues to enjoy her life in the cello section of the Cleveland Orchestra.

Rosamund Morley has performed world-wide as a member of the Waverly Consort.
She steeps herself in Tudor and Stuart music with her viol consort Parthenia
and with My Lord Chamberlain's Consort which performs the enormous Elizabethan
repertoire for voices, viols, and lutes. With the New York Consort of Viols
she champions new music for viols. She studied in Toronto and in The Hague and
now teaches privately and at Columbia University.

David Morris has taught at UC Berkeley, The San Francisco Conservatory and
Mills College. He is musical director of the baroque opera ensemble Teatro
Bacchino and has performed with Philharmonia Baroque Orchestra, American Bach
Soloists, Musica Pacifica, the Israeli Baroque Orchestra, the LA and Portland
Baroque Orchestras and the Mark Morris Dance Group.

Patricia Ann Neely holds music degrees from Vassar College and Sarah Lawrence
College. She has performed as a viola da gamba, vielle and violone player with
many ensembles in the US and Europe, including The Boston Camerata,
Glimmerglass Opera, Ensemble for Early Music and its Grande Bande, Smithsonian
Chamber Players and Orchestra, and will appear with the Boston Early Music
Festival Opera Orchestra in June. She is a member of The Gotham City Baroque
Orchestra, The Publick Musick (winners of the Noah Greenberg award), NYS
Baroque, and for three years worked with Sequentia. Ms. Neely was also creator
and founding member of Parthenia, and has recorded for Arabesque, Allegro,
Musical Heritage, Deutsche Harmonia Mundi, Classic Masters, Erato, Lyrichord,
and Music Masters. She is on the faculty of Mannes College of Music and The
Brearley School in New York City.

Lyle Nordstrom is currently the director of early music activities at the
University of North Texas. He was recently honored by Early Music America with
the Thomas Binkley award for outstanding achievements with early music
ensembles at the collegiate level. He was founder and co-director of "The
Musicians of Swanne Alley," the well-known Elizabethan music ensemble with
whom he has recorded on the Virgin Classics, Harmonia Mundi and Focus labels.
With that ensemble and others he has performed several times at the Boston
Early Music Festival, the Utrecht Early Music festival, the Bath Festival,
several times on St. Paul Sunday, as well as German, Danish, French and
English radio and television. Lyle is also founder and artistic director of
the Atlanta Baroque Orchestra that performs thoughout the Southeast. In
addition, he has taught lute at the Indiana University Early Music Institute
and the Oberlin Conservatory of Music.

Patricia Adams Nordstrom, an original member of the well-known Musicians of
Swanne Alley, has performed in tours across Europe and North America and has
appeared on American, Canadian, German, French, English and Danish radio and
television. With Swanne Alley, she has recorded for Harmonia Mundi, Focus an
Virgin Classics. Trained on historical wind and bowed-string instruments at
Stanford University, Pat was on staff at Oakland University in Michigan for
fifteen years until her move to Atlanta in 1992. There she performed regularly
with a variety of groups, notably the Merry Band and Muses Gardin, taught at
early music workshops, and was also instrumental in launching the Atlanta
Early Music Alliance, having served as Board Chair and Newsletter Designer and
Editor. Pat has combined her performance activities with providing promotional
services for performers and working with individuals and groups on stagefright
issues. She also has a long-standing interest in collecting texts and tunes in
the English and American ballad tradition. Pat has recently moved to Denton,
Texas.

Annalisa Pappano is a viol and lirone player who studied at Indiana
University's Early Music Institute. She has performed throughout the country
and on nationally syndicated radio and has recorded for the Focus label. Her
current projects include early music for children, a method book for treble
viol, and an annual beginner viola da gamba workshop in Indianapolis, Indiana.

John Mark Rozendaal is Artistic Director of the critically acclaimed Chicago
Baroque Ensemble and has performed and led eight seasons of subscription
concerts, educational programs, radio broadcasts and recordings for the
Cedille and Centaur labels. Rozendaal has performed both solo and continuo
roles with many period instrument ensembles, including the The City Musick,
Orpheus Band and the King's Noyse/Boston Early Music Festival Violin Band, and
is currently a member of Trio Settecento and The Second City Musick. His viola
da gamba playing has been praised as "splendid" (Chicago Tribune) and
"breathtaking" (Sun-Times).

Laurie Rabut is an active viola da gamba teacher and workshop coach, a string
specialist and orchestra director in the Amherst Massachusetts schools, and
appears throughout New England as a viola da gambist, baroque violinist and
violist. She is a member of the Arcadia Players Baroque Orchestra and has
performed with numerous ensembles, including the American Classical Orchestra,
Boston Baroque, the Boston Cecilia Society and the Apollo Ensemble. Laurie has
served on the VdGSA Board of Directors and is currently co-chair of the
Education Committee.

Mary Springfels is Musician-in-Residence at the Newberry Library in Chicago,
where she directs an early music series which has received national acclaim. A
founding member of Les Filles de St. Colombe, she has performed with the New
York Pro Musica, Elizabethan Enterprise, and many other ensembles. Recordings
Decca, Columbia, MHS, ABS, Titanic, Nonesuch, Harmonia Mundi and Classic
Masters.

Richard Sutcliffe began his musical education with the violin at the age of 7.
In 1991 he was selected to perform in the National Youth Orchestra. Mr.
Sutcliffe graduated magna cum laude with two Bachelor's degrees in music
education and violin performance from the State University of New York at
Potsdam (Crane School of Music) in 1996. In 1999 he received his Master's
degree in viola da gamba from the Koniklijk Conservatorium in Brussels,
Belgium where he studied with Wieland Kuijken and Gail Anne Schroeder. Mr.
Sutcliffe has been researching the repertoire of the pardessus de viole and
late 18th-century music for the gamba and has published articles in Musica
Antiqua and the Journal of the Viola da Gamba Society of America. He has
performed in Belgium, Germany, France, Holland, Austria, Spain and the United
States both as a soloist and with various ensembles such as Capilla Flamenca,
Jacobean Viols, Les Honnetes Curieux and Le Gout du Siecle. Since 1992, Mr.
Sutcliffe has been working and teaching at the Amherst Early Music Festival.
He is currently living in Brussels, Belgium where he is completing a second
Master's degree in historical chamber music and is the Music Director of the
International Protestant Church.

Brent Wissick is Associate Professor of Viola da Gamba and Cello at the
University of North Carolina at Chapel Hill. He is a member of Ensemble
Chanterelle and the Atlanta Baroque Orchestra as well as a frequent guest with
American Bach Soloists, Boston Bach Ensemble, Portland Baroque Orchestra, BEMF
and the Folger Consort. An active teacher/performer in the US and abroad, he
is President of the VdGSA.

Harriet Risk Woldt has been a member of the VdGSA since 1980 and has served on
the faculty of numerous Conclaves. She has also been on the faculty of Viols
West and Texas Toot. A professional cellist, she taught at Baylor University
and TCU. Harriet has degrees from the University of Michigan and studied cello
in Vienna on a Fulbright and gamba in Basel. She is co-founder of Fort Worth
Early Music, has been a member of the Fort Worth Symphony Orchestra since its
inception in 1957 and has just been awarded the American Airlines
Distinguished Musician Award.

Faculty[28] | Programs[29] | Fees[30] | Classes[31] | Register[32]

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SPECIAL PROGRAMS

BEGINNING VIOL

As an outreach to the community, this class is offered free of charge to
residents of the Fort Worth area as well as to guests of Conclave registrants.
The class will be taught by Harriet Woldt and will emphasize good technique
and practice habits, literature suitable for the class, and goals for the
coming year. Instruments will be available free of charge to members of the
class. The class will meet Monday through Saturday.

PERFORMERS' PROGRAM

A course designed to meet the needs of serious emerging professional
performers. Limited to six players selected by audition tape. The program will
be led by Catharina Meints[33] and will include master classes, private
instruction, ensemble coaching (indicate instrument preference) and practice
time. Students pay standard tuition and fees. To apply, send audition tape,
repertoire list and a statement of purpose including last year's performing
experience to Martha Bishop[34], 1859 Westminster Way NE, Atlanta, GA
30307-1134; tel. 404.325.4735. Be sure to register for a room as well.
Applications must be received by June 1 and will be reviewed by Martha Bishop
and Catharina Meints. Scholarships are available (see below).

SEASONED PLAYERS

Seasoned Players: A program for advanced and professional players, teachers,
and Conclave faculty on furlough, for repertoire exploration or research
projects. Participants are encouraged to bring a research project to share.
Seasoned players pay only the non-student fee of $125 and may sign up for one
class for an additional $100 (no partial-week registrants). To apply, note the
project you would like to work on with the brief summary of your experience
you give on your registration form. Be sure to register for a room as well.
Applications must be received by June 1.

CONCLAVE SCHOLARSHIPS

Conclave scholarships are available to cover tuition and fees for the 2001
Conclave. Jobs include running the VdGSA Store, photocopying, registration,
moving chairs and similar chores. Contact Suzanne Beaudry[35], 868 6th St. W.,
Birmingham, AL 35204; tel. 205.254.3774. Applications must be received by June
1. A limited number of $50 subsidies (no work required) toward room and board
are also available to full-time students (you can apply for this subsidy on
your registration form). Scholarships and subsidies will be awarded in the
order applications are received, so apply promptly!

BUILDER EXHIBITION

Builders Exhibition: will take place Saturday, July 28, 12-5 pm. Builders and
dealers in instruments and music who are not Conclave registrants are invited
to exhibit at that time. Display space (one table per exhibitor) will also be
available during the week near the VdGSA Store for Conclave registrants. For
space on a first come, first served basis ($25 per table), contact Linda
Shortridge (see below). For the Saturday exhibit, you may set up any time
Saturday morning.

Faculty[36] | Programs[37] | Fees[38] | Classes[39] | Register[40]

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WORKSHOP FEES

Room and board

Single room: $375 (+ $35 for Saturday arrival)
Double room: $275 (+ $25 for Saturday arrival)

Tuition

Full tuition (2 or more classes, not counting late p.m.) - $350
Partial tuition (1 class, not counting late p.m.) - $225
Non-class-participants (guests, seasoned players not taking classes) - $125
Local beginners - No charge
Late registration after May 15 - $25
Late registration after June 15 - $50
Deferred payment fee (payment on arrival) - $25
Cancellation fee after June 20 - $25
Full refund for cancellation before June 20.

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Faculty[41] | Programs[42] | Fees[43] | Classes[44] | Register[45]

CLASSES

Level Teacher Class focus During breakfast: All Rabut Viol calisthenics. Wake
up those sleepy muscles and that sluggish brain with great warm-up exercises!
Bring viols! All Harnish Yoga for String Players. Simple poses, no instruments
required. First Period, Early A.M. B, LI Pappano, Harnish Beginning consort
class. Doubling possible. Wake up your ears with beautiful music! LI Lipnik
Introduction to Italian canzoni. Limit 4 or 8. With 8 players, option of
double choir music. LI, MI Neely Medieval music. French motets, conducti and
some trouvere work, Phillipe de Vitry. Singers welcome. MI, UI Elhard
Performing in public for the faint of heart. This class will not necessarily
perform, but will learn valuable techniques. Limit 6. MI, UI Sutcliffe,
P.Nordstrom Elizabethan consort dances and fantasias. Limit 6. MI, UI Wissick
Brent's Bowing Bonanza! A fantastic way to start your day! Limit 10. UI
L.Nordstrom Frottole, Villotte, and Villanelle--vioces and viols together.
Doubling possible. UI Rabut Fiddle tune class for treble instruments: English,
Irish, Scottish, Breton tunes. Violins welcome! UI Rozendaal Calling all
basses! Technique, chords for the fumble fingered, tablature, beginning
divisions. Limit 8. UI, A Mealy Jacobean dance music for mixed violins and
viols. Find your inner groove in this investigation into the wonderful and
quirky repertoire of English dance band music in the early 17th C. Doubling
possible. UI, A Morris A tour of German four-part music: Reusner/Stanley,
Telemann, Abel, Mozart, Haydn. Dances to orchestral pieces and string quartet
movements. Limit 4. UI, A Hershey, Morley, Lewis, Haas Jenkins and Lawes
consorts. Limit 6. Violins welcome. A Springfels Od Hecaton Project. Only
excellent readers should apply. Limit 8. Doubling possible. Second Period,
Late A.M. LI Hershey, P.Nordstrom Thomas Lupo consorts. Expressive and
inventive fantasias. Limit 5. LI, MI Morley Tenor technique. Consort excerpts,
clefs, playing high. Limit 8. MI, UI Woldt Music from the Danish Court:
Borchgrevinch (especially beautiful!), Grep, Brade, Gistow. Bass players in
this class must be able to read alto clef. Limit 5. MI, UI Neely Medieval
music of England. Singers welcome! MI - A Morris, L.Nordstrom Dowland consort
music. Limit 5 viols, lutes welcome. Some doubling possible in one class. UI
Lipnik Italian canzoni English'd. Coprario, Lupo, Ward. Limit 5. UI Pappano
Treble viol technique and music. Limit 8. UI Elhard "Language of the Bow" in
Marais using articles written by Sarah Cunningham and hand-marked scores from
the Sibley Library. Bring prepared solos and plan to learn new ones. Limit 6
basses. UI Rozendaal, Lewis, Harnish, Haas Consort with teacher playing a
part. Limit 5; performing a definite possibility! UI, A Rabut Violin band
(violins and viols!). Foot stomping music using Thomas Simpson's Taffel
Consort music. UI, A Sutcliffe "Le Gout de Siecle": repertoire of the treble
and pardessus in France after 1690 using forthcoming method. Students should
prepare solos or ensembles: Barriere, Boismortier, Caix, d'Hervelois, etc.
Violins welcome. A Mealy Singing with the bow: a class on playing late 16th C.
and early 17th C. madrigals with instruments. Strong emphasis on discovering
how to speak Italian fluently on gut strings. Limit 6. A Springfels Notorious
continuo parts. Technique designed as a continuo class. Limit 6. Third Period,
Early P.M. B Woldt Beginning viol--basic viol technique, free to area
residents and guests; instruments provided. LI Rozendaal Musical Potpourri,
doubling possible, easy music. Limit 10. MI Springfels Musical Potpourri,
harder music, fun galore! Doubling possible, limit 10. LI - UI Hershey,
Elhard, Sutcliffe, Harnish Elizabethan fantasias (Lupo, Coprario, Ward) a 5.
Expressive and inventive fantasias! Limit 5. MI, UI Morley, Wissick,
P.Nordstrom Consort with teacher playing a part; dances and easy fantasias.
Limit 5. MI, UI Lipnik "Long Live Fair Orianna!" Voices and viols. Spectacular
theatrical music honoring Elizabeth I. Music by Byrd, Weelkes, East. Doubling.
MI - A Mealy Divide and conquer: discover the rich world of improvised
divisions. Leave music stands and fear at the door, and learn how to multiply
your divisions with gace and poise! Limit 8, treble and bass instruments. UI
Pappano Early 16th C. Northern Italian viol music. Ensemble music from the
court of Mantua. All sizes of viols welcome. Limit 10. UI Rabut Violins,
viols, and pardessus. Simpson Dances--a class in style and technique. Modern
string players switching to early violin welcome! UI Morris Sightreading
skills--a life-changing class! Limit 12. Learn to count, keep tactus, forgive
yourself! UI L.Nordstrom, Haas Dowland consorts. Limit 5 viols. Lutes welcome.
UI, A Meints Baroque cello for modern cellists wanting to convert. Style,
technique; music provided. Bring baroque cello or gamba bow. Limit 8. UI, A
Lewis Tablature for basses only. Explore solo through trio literature. Some
doubling possible. Limit 6. UI, A Neely Medieval music: Italian estampies from
British Museum MS Additional 29987. Improvisation. Vielles only due to tuning
vagaries (unless viol players want to drone!) Late afternoon classes All
Organized by Wissick Uncoached consorts. BYO music! It will be necessary to
sign up at lunchtime to participate in these consorts. Late evening All Staff
Uncoached consorts. BYO music!

Faculty[46] | Programs[47] | Fees[48] | Classes[49] | Register[50]

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About VdGSA[51] | Welcome[52] | Membership[53] | Contacts[54] | Events[55] |
Music & recordings[56]
Publications[57] | About the viol[58] | Whimsies[59] | Links[60] | Look at[61]
or sign[62] guest book | Notes[63]
Back to home page[64]

===References:===
  1. ema-schol.html
  2. #FACULTY
  3. #PROGRAM
  4. #FINANCE
  5. #CLASSES
  6. register.html
  7. http://www.tcu.edu
  8. #Elhard
  9. #Meints
 10. #Rabut
 11. #Haas
 12. #Morley
 13. #Rozendaal
 14. #Harnish
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 17. #Hershey
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 22. #Wissick
 23. #Lipnik
 24. #NordstromP
 25. #Woldt
 26. #Mealy
 27. #Pappano
 28. #FACULTY
 29. #PROGRAM
 30. #FINANCE
 31. #CLASSES
 32. register.html
 33. mailto:cathy.meints
 34. mailto:waltmart
 35. mailto:sbeaudry
 36. #FACULTY
 37. #PROGRAM
 38. #FINANCE
 39. #CLASSES
 40. register.html
 41. #FACULTY
 42. #PROGRAM
 43. #FINANCE
 44. #CLASSES
 45. register.html
 46. #FACULTY
 47. #PROGRAM
 48. #FINANCE
 49. #CLASSES
 50. register.html
 51. about.html
 52. welcome.html
 53. member.html
 54. who.html
 55. events.html
 56. music.html
 57. pubs.html
 58. stuff.html
 59. fun.html
 60. links.html
 61. guests.shtml
 62. ../cgi-bin/guest.cgi
 63. notes.html
 64. ../

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