GL - A&S questions
Richard Culver
rbculver at hotmail.com
Mon Nov 22 12:33:55 PST 1999
:54 -0600
>
>Richard Culver wrote:
>
>Cyniric,
>
> I'll help. Ask me your questions and I'll see if I can find answers.
>;>
Okay, when is a good time so we do not necessarily have to try to fit it
into our meetings! I am in no real rush at the moment. I still have that
whole membership thing to get straightened out.
>A complete, perfect masterwork A&S display would have catgut strings and
>oak
>tuning pegs along with handmade stain and all that other stuff _and_ it
>would
>play like a Stradivarius. I'm not perfect. Neither is anyone else. Use
>what
>works, and put your reasoning into your documentation.
Geez, no pressure there, is there? And I suppose there are people who
have that much free time? :) There is artifical catgut I am told, so I may
just have to hit the music stores.
>Unless you want to have it done by the end of Feb, I'll take you around our
>A&S
>competition and point out the good and bad points to everyone's display and
>documentation. The basic idea behind a display is to showcase your art.
>You
>need a table covering. Common tricks we use include multi-levels, tools of
>the
>trade or a how-to setup, a splotch of red to catch the eye, and a nice
>binding
>or a notebook for documentation. Basic documentation- One page docs
>including
>who, what, when, where, how, why, what substitutions did I make and why,
>and
>maybe what did I learn. Bibliography page. For a complex project, follow
>with
>a table of contents and a detailed explanation of every step of the project
>and
>the research that led into it. But be sure and have a one-page beginning
>summary. Sometimes you are lucky if the judge reads that much.
This is definitely somethinf for down the road, not by February. Yikes,
I am just not that focused. :) I think I can handle the documentation
though, however there are only two respectable books on the subject.
Cyniríc
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