[ANSTHRLD] {TH}orkell {o,}lf_ss - another device attempt
Joshua Brandl
norfildur at hotmail.com
Wed Aug 25 23:51:07 PDT 2010
Ok... enlarged the charge...
and thank you for the blazon syntax fix
Blazon:
Gyronny arrondi sable and argent, a mullet of eight points pierced counterchanged
Emblazon:
http://i289.photobucket.com/albums/ll227/aednial/Gyronnyarrondi.gif
> Date: Wed, 25 Aug 2010 23:49:12 -0500
> From: tmcd at panix.com
> To: heralds at lists.ansteorra.org
> Subject: Re: [ANSTHRLD] {TH}orkell {o,}lf_ss - another device attempt
>
> (My mailer was garbling some characters in the Subject line; I had to
> replace them.)
>
> On Wed, 25 Aug 2010, Joshua Brandl <norfildur at hotmail.com> wrote:
> > ok.. i think I've got one that will pass...
>
> That phrase can be as damning as "Hold my beer and watch this"
> or "I'd like to register my tattoo".
>
> > Blazon Attempt:
> > Sable and Argent gyronny arrondi, a mullet of 8 points pierced counterchanged ?
> >
> > Link to the emblazon :
> > http://i289.photobucket.com/albums/ll227/aednial/final.gif
>
> For a division of the field, the division is listed first, and then
> the tinctures in its pieces. The SCA does not capitalize words in the
> blazon except
> - the tinture Or
> - The first word
> - "Fieldless" and "Tinctureless"
> - proper names, like "Bowen knot"
> We rarely use digits.
>
> "Gyronny arrondi sable and argent, a mullet of eight points pierced
> counterchanged".
>
> Charges generally should be drawn Big, Bold, and Butch to fill the
> space available. A mullet alone on the field would stretch much
> nearer the edges -- perhaps double the diameter and therefore 4 times
> the area.
>
> As you get more into heraldry, you might want to read the Rules for
> Submission. <http://heraldry.sca.org/laurel/rfs.html> Not exactly an
> exciting read, and they may not all sink in at once -- I know they
> didn't when I read them. But some things will sink in, and it gives
> an idea of where to find rules.
>
> RfS VIII has the armorial style and composition rules.
>
> 3. Armorial Identifiability - Elements must be used in a design
> so as to preserve their individual identifiability.
>
> Identifiable elements may be rendered unidentifiable by
> significant reduction in size, marginal contrast, excessive
> counterchanging, voiding, or fimbriation, or by being obscured by
> other elements of the design. ...
>
> 4. Obtrusive Modernity - Armory may not use obtrusively modern
> designs.
>
> "Modern" is defined as anything outside the period of the
> Society. ...
>
> d. Modern Style - Generally modern style in the depiction of
> individual elements or the total design may not be registered.
>
> Artistic techniques and styles developed after 1600 should not be
> used in Society armory. Charges may not be used to create
> abstract or op-art designs, or be patterned after comic book art,
> fantasy art, pointillism etc.
>
> <http://en.wikipedia.org/wiki/Op_Art>
> "Op art, also known as optical art, is a style[1] of visual art that
> makes use of optical illusions.
>
> "'Optical art is a method of painting concerning the interaction
> between illusion and picture plane, between understanding and
> seeing.'[2] Op art works are abstract, with many of the better known
> pieces made in only black and white. ..."
>
> I would say that this proposal is op art as it is. If the mullet were
> drawn the correct size, it would be more so.
>
> One would have to check whether there have been any registrations of
> something as simple as a mullet counterchanged on a plain gyronny
> field. A priori, I'd tend to expect it to be excessive
> counterchanging and op art too, but I've certainly been wrong often
> enough.
>
> Danihel Lincolinum
> --
> Tim McDaniel, tmcd at panix.com
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