[Scriptoris] Vegetable Parchment question
Elaine
eshc at earthlink.net
Wed May 12 16:58:23 PDT 2010
You are on the right path when you start to investigate the
manufacture and permanency of your art materials. You go, Girl! Set
yourself up with a ring binder for this and all future information
and tests you try. It will save a Niagara of tears later.
Trust Mistress Serena when she advises against vegetable parchment.
Stay with archival (museum quality) papers for work that will last
and not turn crumbly, yellow, or even spotty eventually.
I have been on the professional side of paper and had to learn a lot
before I sold it as a retailer and my work as a traditional
watercolorist/calligrapher in the mundane world and work I did for
the SCA.. I vote Serena's advice, too.
Think of your recipient. Would you want to have someone spend time
working on a project for you only to have it degenerate to something
you'd eventually only hang on the back of the closet door? Products
you receive (or even get on sale) may not be in your work's best
interest, however well-intentioned your gift-giver or store is..
Treat yourself like an Old Master and only use tested, professionally
recommended products that will let your work be beautiful for
generations.
Even when you are testing or practicing for "the real scroll," use
the good stuff. The results will be more accurate, and you will take
more care.
Try the following for information:
http://cool.conservation-us.org/don/don.html
A paper made by passing a WATERLEAF sheet through a bath of sulfuric
acid, or (at times) zinc chloride, under established conditions of
time, temperature, and the like. The treated paper is then washed
thoroughly so as to remove the acid or zinc salt, after which it is
dried. The chemical partially dissolves or gelatinizes the paper,
which is then regenerated when the chemical is diluted by the
washing. This forms a very tough, stiff, smooth paper with an
appearance somewhat like that of a genuine parchment. Because paper
treated in this manner has a tendency to become brittle and to
wrinkle upon drying, it is frequently treated with a plasticizing
agent, usually glycerine or glucose. The waterleaf sheet is made from
rag or (more usually) chemical wood pulp. (17 , 82 , 143 )
Bookbinding and the Conservation of books: A Dictionary of
Descriptive Terminology by Matt T. Roberts and Don Etherington,
Drawings by Margaret R. Brown
..........................................................
Another website to look at for minute, lengthy detail (truthfully, I
didn't read it all):
http://books.google.com/books?
id=gD8pWkA6TcwC&pg=PA63&lpg=PA63&dq=Vegetable+parchment
+stability&source=bl&ots=ar0wlsmBwQ&sig=jeNsqF4kedWkK5U3F0PhJsqrroQ&hl=e
n&ei=HTXrS86fF8H98AaJhvTsDg&sa=X&oi=book_result&ct=result&resnum=1&ved=0
CBIQ6AEwAA#v=onepage&q=Vegetable%20parchment%20stability&f=false
The above is probably more than you wanted to know. It is actually
from the The Guild handbook of scientific illustration By Elaine R.
S. Hodges, Guild of Natural Science Illustrators (U.S.)
Hope this helps. Some may want to just print it out, punch ring
binder holes in it and stash it for future reference.
Good luck,
HL Lete Bithespring
................................................................
On May 12, 2010, at 6:06 PM, <jwtopp at peoplepc.com>
<jwtopp at peoplepc.com> wrote:
> Mistress Serena says that vegetable parchment is chemically
> unstable. How
> so? I love the fake parchment I received as a gift when in the Mid-
> realm.
> I really need to know how unstable it it . Thank you
>
> Janie Topp
>
> Lady Maeve Dianotto
>
> New work posted on facebook
>
> Janie Winther Topp
>
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