[Scriptoris] paper for original works

[Hillary Greenslade]

As you said, paper choices often depend on the artisan. 

For quick, less expensive or less period work, I use the Strathmore 400 drawing paper for ink, it's 80lb smooth surface paper.   I don't prefer the stiffness of bristol board, tho many kingdoms recommend it for it's smooth surface.  Looking online at the Strathmore 400 series, I see there is also an Acrylic pad, at 246lb paper, as a textured linen surface, might be a good one to try out. 

I have only recently played with Permanenata, I got the 80lb sheet from Jerry's-art-arama.  While the surface is similar to a 'real' vellum, it will also swell/pucker if you get it too wet.  Star Signet suggested I try the heavier weight Pergamenata (140lb) as it maybe less apt to have water issues.  

Most projects, I prefer Fabriano Artistico, 140lb hot press; it's a company that was in existance during the 13-1400's and is still in business. It's a lovely paper, a full sheet runs under $6.00 and you get four sheets of 11x14 pages from that. 

For truly historic work, you will want to use vellum or parchment, but be warned it can be costly.  Practice with it first to get a feel for it. 

Cheers, Hillary

--- On Tue, 6/2/09, Sarah Redford <reddragun38_2000 at yahoo.com> wrote:

> From: Sarah Redford <reddragun38_2000 at yahoo.com>
> Subject: [Scriptoris] paper for original works
> To: Scriptoris at lists.ansteorra.org
> Date: Tuesday, June 2, 2009, 3:52 PM
> Good afternoon,
> I want to do a few better quality original works and enter
> the achievment contest at 30th year.  The only paper I have
> used so far is Bristol Smooth 100lb.  I have heard of
> Pergamenta and Arches.  Which brand, type and weight would
> be good for doing better than average work?  I realize this
> can depend upon the artist and the piece being worked on. 
> I just wanted some thoughts from those who have used these
> types of paper.
> In service,
> Sarah
> Rosenfeld
>  
> Also, I am going to do some illumination and calligraphy on
> a wood surface.  Would it be better to do the work
> on paper and glue it to the wood, coat the wood with gesso
> and do the work on that or use another technique?
> 
> 
>       
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